| I'm folding up my little dreams Within my heart to-night, And praying I may soon forget The torture of their sight. For Time's deft fingers scroll my brow With fell relentless art-- I'm folding up my little dreams To-night, within my hear... Read more of My Little Dreams at Martin Luther King.ca | InformationalPrivacy |
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Colors For Blondes And For BrunettesNow, for a practical application of this knowledge. The hair of the blond is a mixture of red, yellow and brown. As a rule the skin is lighter, that is, it contains not so much orange, and the tinges of red are lighter. Nature, therefore, very properly made the blond's eyes blue, since the blue is complementary to the orange of her hair. The brunette's skin, on the other hand, has more orange in it, and hence a color favorable to one would not be becoming to the other. What would be the effect of green upon a complexion deficient in red? It would certainly heighten the rose tints in the cheeks, but the greatest care should be exercised in the selection of the proper shade of green, because the brunette's complexion contains a great deal of orange, and the green, acting upon the red of the orange, could readily produce a brick-dust appearance. Green, therefore, is a risky color for a brunette, and so is violet, which would neutralize the yellow of the orange and heighten the red. But if the orange complexion had more yellow than red, then the association of violet would produce pallor. Yellow, of course, is her color, since its complementary violet neutralizes the yellow of the orange complexion and leaves the red. But with the yellow-haired blond the conditions are very different. The complementary of blue is orange, which improves the hair and freshens the light flesh tints. A blond, therefore can wear blue, just as a brunette can wear yellow. In arranging flowers the same law holds. Complementary colors should be placed side by side; blue with orange, yellow with violet, red and rose with green leaves. And anyone who successfully selects his wall paper and house furnishings is drawing unconsciously, perhaps, on an intuitive knowledge of these fundamental facts. Dark papers are bad, especially in rooms with a northern exposure, because they absorb too much light. The complementaries of red and violet are exceedingly trying to most complexions, and orange and orange-yellow are fatiguing to the eye. The most pleasing effects are to be had with yellow, light blue and light green, for the latter freshens the red in pale skins, and the blue heightens blond complexions, and goes well with gilding and with mahogany and cherry furniture. Next: Color Contrast And Harmony Previous: How To Select Colors
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